11.01.2007, 17:16
Prologue
Boudewijn Janssen was nineteen, when he left the Netherlands in the early 1620s for the New World. Actually it wasn’t him who left, but the ver Planck’s and as he happened to be their gofer, he happened to end up in a small Dutch colony at the Delaware River. What use they could have for a gofer in this solitude that didn’t have shops, not even proper streets, was beyond him, still they always had paid and treated him good and as Boudewijn wasn’t the kind of boy who liked changes, he decided to go with them. Better working for people he knew in a foreign country than working for people he didn’t knew in his own country, he told himself. Besides, he liked the scullery-maid of the ver Planck’s. Actually he liked her very much and spent a huge amount of time daydreaming more or less x-rated scenarios, although (and because) the scullery-maid couldn’t have shown less interest in him. Still Boudewijn hoped to win her over in the land without shops and streets that - as he figured out – therefore would have a lack of men and possible competitors as well.
Boudewijn was unlucky however as Katrine (the scullery-maid who stared in Boudewijn’s more or less x-rated daydreams) was one of the girls, who speculated for a social raise through marriage. She only went with the ver Planck’s because she had figured out that such a marriage would be much easier to achieve in a land that didn’t offer men a wide range of potential candidates for marriage than in a country with thousands of girls.
As she was personable and ambitious, Katrine actually succeeded in winning the attention and favour of the middle Verplanck, the scion of another expatriated Dutch merchant family. But while she already saw herself as the future Mrs. Verplanck, the middle Verplanck only saw her as cheap compensation for his desperately missed Amsterdam prostitutes. Stupidly poor Katrine didn’t have the birth control knowledge of those Dutch cocottes and after six years of longing Boudewijn finally was not only the man of the hour, but the man a pregnant and sullen Katrine saw herself forced to say “Yes” to.
Despite the fact, she was married to a gofer without any other ambitions than sharing bed with her, Katrine had no intentions to let the dream of a better life and status go and she was smart enough to use Boudewijn and his blind love and lust alongside the money she had pressed of the middle Verplanck, to influence the faith of the family.
A constantly growing family (Katrine never learned the secrets of the Dutch cocottes the middle Verplanck would mourn until the day he died) with a constantly growing fortune (Katrine had decided that Boudewijn would take part of the profits of the exclusive trading rights of the Dutch West India Company instead of being a gofer for the rest of his life) and when Katrine died in 1661 she did not only leave four children (actually she had given birth to nine, but none of the other five ever saw the age of two), seven grandchildren and five great-grand children (if she would’ve lived long enough, she would’ve witnessed the birth of six more), but also a devastated Boudewijn and the cornerstone of what would eventually turn into the empire of the Johnson Trade Inc. (The family changed the name from Janssen to Johnson with the final British takeover of the Dutch colonies). And although the members of the family soon enough looked down on everyone below their status and money; and gofers and scullery-maids were nothing more than a necessary evil in their eyes; they were proud to be one of the first families whose substantial fortune and reputation had its origin in hard and ambitious work. The Johnson’s, a descendant of the Dutch gofer and his scullery-maid said on the occasion of a family wedding in the late 1880s, virtually invented the famous American dream.
But just as every family has its black sheep, actually every generation of the Johnson’s had one or two of them through the 300 years of American family history. The first one was the Verplanck bastard (Willem Janssen, 1628-1672, who actually had no other faults than being the son of the wrong man), then there was a gambler with a drinking problem (Boudewijn Johnson III, 1689-1757), a alcoholic with a gambling problem (Arthur Johnson, 1713-1762), a alcoholic and gambler (Michael Johnson, 1753-1817); and there was Gilbert Johnson (1755-1832), who neither was a gambler nor a alcoholic, but still happened to be the first one to be repudiate by the family, because he unfortunately had fallen in love and married a dark-eyed Native American beauty in 1774 . The family however welcomed Gilbert back in their (so called) loving arms 27 years later as the Johnson’s suffered a family shortage around 1800 (the male/female percentage was 1:7) and Gilbert happened to be the only male Johnson alive without a drinking and/or gambling problem and a male descendant (Carl Johnson, 1776-1859) without a drinking and/or gambling problem and someone simply had to continue family business, even if it were a man who was married to a savage and a man who was a half-savage by blood.
For the following one hundred years there were surprisingly no more black sheep (may it be gamblers, alcoholics or men with a soft spot for dark-eyed savages), only most of the female Johnson’s were duffers and as their excesses fortunately had no real input on the healthy male family-line and all had been married away to mercenary bachelors in Europe or Australia, they didn’t count or even exist anymore in the minds of the inner family circle. Those one hundred (more or less scandal-free) years can be seen as the calm before the storm; a storm that broke out around the turn of the 20th century with the birth and adolescence of Baldwin Johnson V (1899-1973) and his younger brother Carl Johnson II (1902-1991).
Actually none of both drank or gambled or had a soft spot for dark-eyed savages during their whole lives (which had been the known problems of the male Johnson’s so far); however both were predestined to be black sheep thanks to some other innateness.
Baldwin’s problem was that he simply had no business sense or interest in politics, economy and trading. He couldn’t help this lack, he simply was born with it, and still it turned him into the known maverick of the family (although his younger brother Carl had just the same potential to be the known black sheep of the generation), who probably would’ve ended in the streets, if Carl (who became the manager of the Johnson Trade Inc. due to Baldwin’s lacks) wouldn’t have been fair-minded enough to support him with the same interest of the family business he received monthly, although Baldwin never lifted a finger.
Of course Carl wasn’t unselfish; he simply had to cope with his own problems: He had no interest in ever getting married as he did not have any interest in the female gender at all. Moreover, growing up between some particularly strange specimens, like hell he would let a woman into his house voluntarily, not even for the purpose of keeping up the appearance. But Carl loved the business and he wanted the business to stay in the closest family line. Therefore, he supported Baldwin financially and in return Baldwin was supposed to give Carl an heir for the family business.
To be honest, Baldwin hadn’t much interest in the other gender as well, but unlike Carl it wasn’t due to the sexual and romantic preference of men, but due to his over-all and almost abnormal love for art: Baldwin could’ve died happily between his canvas’ without getting married at all. Still Carl pegged away and eventually managed it to set up his already thirty-nine year old brother with the twenty-one years younger Lillian Goldsmith in 1939.
Despite his successful matchmaking and planning Carl failed. Not only did he have to wait years until the first child of Baldwin and Lillian finally was born (Emily Katherine Rose Johnson, 1944), moreover the child was a disappointment for Carl as it was a girl and therefore did not answer his purpose. Same applied for the second child of his brother and sister-in-law (Henriette Pauline Johnson, 1949), who turned out to be another female Johnson (The male/female percentage in the Johnson family was 1:8 by then).
“Listen to me, Baldwin, I’m not going to talk to you until you manage it to procreate a boy. And not another cent - ”, Carl yelled at his older brother not five minutes after the birth of Henriette, “- you won’t get a single cent anymore until I finally get my nephew”, he added, stormed out and never came back as Henrietta was the last child Baldwin procreated. Carl never stopped paying Baldwin his fair interest, however. The potential mothers of the looked-for family heir, Carl felt after he had calmed down in the arms of his long-time lover and secretary, shouldn’t have to suffer under a bootless and useless father. Besides history had proofed that no reputable man ever had been crazy enough to marry a Johnson woman who had not at least a decent education and an enormous marriage portion. And hell, if he wanted a suitable heir, he had to make sure that those girls would marry reputable men.
The Artist Before His Canvas, Girl Before A Mirror
Baldwin Johnson was a man with a compact body, who – despite his name and fortune – always looked a little scruffy. And no matter how many essential oils and aftershaves his wife put into his bathroom, he always gave off the smell of oil paint and turpentine. Just like a rose smells like a rose, he smelled like a colour palette and even looked like one most of the time thanks to the dashes that graced him from bottom to top. Yes, Baldwin Johnson considered himself as an artist. A brilliant mind, mulcted of fame by the infamous Picasso, who – as Baldwin Johnson never got tired to point out – stole the idea of cubism of nobody less than Baldwin Johnson himself. But despite decades of unsuccessfulness, he never gave up the hope to have his breakthrough eventually and to put the Spanish thief in his place and heat-up the open fire in his atelier with the overrated works of his intimate enemy.
Of course this war was a one-sided; Picasso probably didn’t care about the existence of an American painter named Baldwin Johnson who claimed cubism to be his invention. Still Baldwin couldn’t have fought with more passion, if Picasso would’ve stooped to reply one of his letters or even taken the invitation to a duel (an artistic one, of course, Baldwin loathed physical violence as he considered it to be controversial to his artist mind). Actually all passion that ran through his veins belonged to his art and only when this bothersome physical lust spread in his body every now and then, he remembered the existence of his wife, who’d lie willing under him during these rare occasions as it is what wives are supposed to do, while his mind already started to paint a new work as he got rid of the fruitless burning in his loins.
Fruitless in an artistic sense only, because during his marriage and at his brothers urging, Baldwin managed it to procreate twice. Although he did not consider his children to be his best works, sometimes he couldn’t help to look at them with an almost infantile amazement. The oldest one was a scrawny girl with the thick brown hair and the dark eyes of her Indian foremother, Baldwin’s rangy fingers and his strong chin that somehow appealed misplaced in the otherwise delicately face. The younger one only had inherited his sparse blonde hair which looked ridiculously bald around her rosy-cheeked, round face that was decorated with her mothers’ green cat eyes and almond-shaped mouth. Whenever Baldwin made out these characteristics of his two daughters, he couldn’t help to giggle inside. What a hell of an artist he was that even his children, although he did not consider them to be his best works, partook of abstractivity.
If he ever would’ve spoken out this thought aloud, his wife probably would’ve lost the patience she had with him and his strange behaviour (as Baldwin and Lillian hardly ever spoke more than five sentences to each other in a day, there actually never was the slightest danger for him to utter this thought in the presence of his wife). Although Lillian Johnson knew that her daughters never would have looks that make every man weak in the knees, she knew that her daughters would be good looking enough to turn some heads and hopefully the heads of two respectable bachelors with good breeding and reputation as well as a brimmed account, who would turn them into their wives. If they were lucky enough, they would be able to get someone like Baldwin, who despite and because of his art delusion at the same time, was a rather good husband (The fears she first had about marrying a man so much older, had vanished into thin air during their first month of marriage). Baldwin hardly ever thumbed his marital rights and never interfered into her matters, but trusted her in all social and financial concerns (Of course he did as he had no other choice, her poor husband hardly knew how to tie his shoes). Therefore Lillian had more freedoms than all the other married women in Albany together and as everyone wrongly thought life with a man like Baldwin must be hard, she had a markedly good reputation, although her husband was denounced as screwball. Yes, sometimes she would’ve willingly given up some of those freedoms if her husband would’ve stopped his smearing and took a job in the family business. Nevertheless, Lillian Johnson was a very lucky and happy woman and she made every possible effort to put her daughters into the same position.
Therefore, Lillian Johnson arranged for her daughters an education that hopefully would turn them into two desirable catches. Since the day of their births Emily and Henriette were taught everything she knew about life, society and home economics, moral, marriage and manners by Lillian; moreover she paid expensive schools to have others teach them the things she didn’t knew. The end result was acceptable. Well, almost acceptable.
Neither Lillian nor any of the teachers had managed to tame the temperament and stubbornness of her daughters, as well as their unspeakable penchant to pert (all Johnson attributes, the Goldsmith women were known for their sweet temper and patience), down to a level which would be appropriate for two mannerly Ladies. As both however managed to curb those attributes in public most of the time, Lillian had very high hopes that her future son-in-laws wouldn’t find out until they were married and it was too late to retract.
The Johnson girls had no idea of their mothers concerns; they didn’t know that their father considered them to be abstractive; they didn’t know that they were supposed to give their uncle Carl Johnson an heir for the family business. Actually, Emily and Henriette knew nothing, but how to act and re-act in public, how to start a proper conversation around non-committal topics like the weather, fashion, literature, art (with the small exception of cubism, at least in the presence of Baldwin Johnson) and culture and how to talk about those topics in three different languages, their mother tongue and a basic knowledge of Latin not included. The older one played a rather good piano, the younger one a virtuoso violin; they knew how to dance, stitch and crochet, arrange flowers and their hair, they knew how to put on decent make-up and smiles. And because both were bright girls and no one ever asked them to do something else, they were not only perfect in it, but it never came to their minds that girls could be taught to be or even be more than wives, nor that they could be something else themselves. In their universe, the universe their mother and social status had created naturally, getting married was the sun everything revolved around.
Hence Emily Johnson felt it as a personal and hard defeat to turn18 without being married or having the ghost of a chance to be married in the near future. She did not know what went wrong and something must’ve went wrong as she was 18, unmarried and hadn’t the ghost of a chance to be married in the near future and she spent hours mulling her situation over. Of course, her father was a known screwball, but it was known as well that neither she nor Henriette had inherited his art craziness but were well educated girls. Besides, the otherwise famous family name and the quiet presentable marriage portion that came with it, should be able to balance a crazy father. (At least Emily hoped so.)
After three hours in front of the gold-framed mirror in her room, having looked at every part of her face and body with an unerring eye, Emily came to the conclusion that her looks couldn’t be the reason as well. Yes, her chin was too big and she would’ve given anything to look less like that savage relative of hers no one ever talked about, but to have the light, almost aristocratic European appearance of her sister and mother – the overall picture was satisfying, however. She had a rather nice body and beautiful hair (Maybe it wasn’t blonde like Henriettes’, at least she didn’t have to sleep with curlers in her hair ever since she was five in order to conceal its actual form) that detracted of the slight defects her face had. Still, there must’ve been something; she must’ve had a lack she didn’t know of, a stigma that kept men away.
Asking thirteen year old Henriette wasn’t a big help, her younger sister only grinned and announced that she wouldn’t have any problems in getting married and that every family had a spinster.
“I’m no spinster”, Emily whizzed in return, blood surging to her face.
“Yes you are. I wouldn’t be surprised, if I’d be married before you are. Actually, I wouldn’t be surprised, if you’d never get married at all”, Henriette capped it all of, enjoying her older sisters reaction.
“You will not be married before I am.”
With a mischievous smile in the corner of her mouth, Henriette pursed her almond lips. “Time will prove me right.”
“It won’t.”
“Yes, it will.”
“No.”
“Yes.”
“No!”, Emily replied another time, although she knew that Henriette and she weren’t having a intelligent conversation and she was actually too old for such baubleries. She finally should learn to ignore her sisters’ provocations.
“Yes. Yes. Yes”, Henriette affirmed, prodding her finger at Emily’s upper arm with every word, visibly enjoying the quarrel and her sisters’ enragement.
“Stop it!”
“As you wish, spinster.”
“Do not call me that, Henriette!”
“Alright, spinster, I’ll keep the truth a secret until it can’t be kept secret anymore. But don’t worry; you’re my sister and I like you. You may live with me and my husband.”
“How very generous of you.”
“That’s how I am”, Henriette grinned. “Generous. And your only hope for a roof over your head and some company in your future spinster life.”
“My only hope”, Emily snorted. “Go fly a kite, hope, otherwise your hopes to marry ever will cease suddenly with your early death.”
“Idle threats.”
“Want to take the risk?”
“I salute and leave you alone with your mirror”, Henriette gave in, partly because she felt she had won the argument anyways, partly because she really didn’t want to take a risk. Still she couldn’t deny herself to tweet a “Mirror, mirror upon the wall, who is the fairest of all? Oh Lady Queen, though fair ye be, Henriette is fairer far to see”, while leaving Emily’s room, hardly being able to avoid the brush her sister shied after her while eventually losing her poise. That was childish and inopportune. That was probably the reason, Emily thought, while picking up her brush. Which man would want to marry a girl, who’d throw brushes after him when losing her poise? Especially if the girl lost her poise three times a day.
As Emily Johnson never had thrown a brush or any other item in public and she only happened to throw something twice in her future life after this incident (her purse after her future husband, 1963, and the flacons and tins on her dressing table onto the floor, 1985), her assumption was wrong. It wasn’t her temper, her looks or her father; it was the soap bubble she lived in and it was Lillian Johnson who caused and finally realized it.
First, Lillian had been worried about her oldest daughters’ marriage status, too. After all, she had been engaged to Baldwin with 17 and married two weeks after her 18th birthday. An arranged wedding, she realized after some pondering and talks to her fellow DAR friends, something that might’ve been quiet usual 20 years ago, but gone out of style in the 1960s. Nowadays young men wanted to chose their wives themselves. And most of the time, they weren’t introduced to them at tea-parties or the yearly city ball, but they meet them at college and university. Therefore, Lillian felt, her oldest daughter should continue her school education, although it actually had been considered to be complete with Emily’s graduation from High School two months ago.
Although, Emily was sent to College in order to meet a man, Lillian Johnson did not want to go over the top and chose Smith, a college for girls only that was known to take care of its students in every respect. Still Lillian feared Emily could go astray being completely on her own and without motherly control for the first time in her young life. Her worst nightmare (an unmarried and pregnant daughter) didn’t come true, because Emily simply was too well-bred and the rules of a modest contact with men had been thumbed into her from childhood. Her dream (an engagement and wedding around her daughters 19th birthday) didn’t come true as well however, because Emily was too busy in collecting and handling the new impressions during her first year at college, her first year outside the soap bubble.
This new knowledge changed many of Emily’s views and some of her attitudes, but had no impact on her self-conception and the way she wanted to live her life. If she had been younger and capable of being influenced on a deep level, this probably would’ve been different as her letters home were enough to change Henriette. The universe of the youngest Johnson got some new suns and the girl higher hopes than being married before her older sister. Henriette never got rid of the nickname, however, that Emily called her by ever since she had proclaimed to be Emily’s only hope: A taunting Hope first, a fond Hopie after the dispute had been forgotten.
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