1-1-1-1-1 schrieb:Mmhhh..... interessant. Hört sich ein bisschen nach meiner Biographie an, aber da steht absolut nix vom letzten Teil drin (von wegen mit dick). Ansonsten hatte sie tatsächlich ein kleines Tablettenproblem.
Lol, wenigstens bilde ich mir das nicht ein! :lach: Tabletten waren es also....
Das mit dem "dick" war auch nur ein ganz kleiner Kommentar, mir fiel das nur damals auf weil ich dann die Bilder gesucht hab und nicht verstanden hab was sie will
Also keiner den ich kenn erinnert sich an das Interview ^^ Mmh. Such Mal brav, alles wollen es haben
Hier dafür zwei andere "Neue":
http://www.kellybishop.de.vu/
Vor allem der Artikel von '68 ist zum schreien: Wer's nicht wusste: Nipplegate wurde nicht von Janet Jackson, sondern Kelly erfunden
Wahrscheinlich stolpere ich wieder dann drüber wenn ich eigentlich was ganz anderes suche.
Aber lustig wie so ne Bemerkung so nen Aufruhr verursachen kann.
Ich werd aber sofort Bericht erstatten sollte ich es nochmal finden :lach:
Gleich zwei, drei Neuigkeiten:
Kelly wird am 2. Dezember als Anwältin in Law&Order SVU zu sehen sein und ab Dezember wieder auf der Bühne stehen. Das Stück heiÃt "Betty Shaw" und sie spielt darin eine Frau die an MS leidet.
AuÃerdem gab's ein Interview mit ihr:
http://www.youtube.com/watch?v=3J9w8jHxbj0
Transkript:
Zitat: CC: When you first knew your passion for theatre?
KB: My first was passion for ballet and that was a passion that was kind of thrust on me by my wonderful mother, who, as Sheila says in âA Chorus Lineâ, she wanted me to be â she made me what she wanted to be. Thatâs exactly what she did. She loved the ballet and I think she wanted to give me an opportunity to not to be a housewife. Weâre talking about the 50s here. And once I think she realized as she watched me grow and saw that I could really point my toe, that was it, she groomed me for the ballet. That was the way I was raised.
CC: Did you want to be a ballerina?
KB: You know, itâs very interesting, I was a rather clever little girl. I realized at some point - I was good, a really good dancer, I had great training and I did have the talent. But at some place along, twelve, thirteen years old, I thought âwait a minute, to be a prima ballerina - you have to give up a lot of your life for this and I think I want to live life a little more. So I think what I want to be is a soloistâ. So that was my drive with the ballet and my, my â the ballerina I most admired, while I saw some great ones with Ballet Theatre was Lupe Serrano, who was brilliant. She was a ballerina, but she wasnât Nora Kaye and she wasnât Maria Tallchief and she wasnât Alicia Alonso and I so admired her. That was my bent, although in the meantime I loved jazz and I wasnât allowed to take it.
CC: You werenât?
KB: Well, I was in a very severe ballet school. Very severe.
CC: Which school did you go to?
KB: It actually was the American Ballet theatre in Denver and when they closed it, Dimitri Romanoff, who was the regisseur of the American Ballet Theater, and his wife moved to Northern California and we followed them. So that was serious ballet, the most dangerous thing we did was character dance. No tap, no jazz, but I had such admiration for Cyd Charisse because I could see the ballet training and she was sexy and she was gorgeous and she did jazz, so very quickly after my first ballet job I took off the toe shoes and went to Luigiâs class and became a jazz/Broadway dancer.
CC: What was your first Broadway show?
KB: My first Broadway show was âGolden Rainbowâ in 1967. And my second one right on the heels of that was âPromises, Promisesâ and that was the first time I met Michael Bennett, who choreographed that and the first time I met Jerry Orbach who starred in it. I was a chorus girl and then by 1987, now weâre talking almost 20 yearsâ¦
CC: How was Jerry Orbach as a person?
KB: A doll. Everybody liked Jerry. What an easy-going, great guy.
CC: I met his wife, the sweetest lady.
KB: Yes, Elaine. So it was very funny with âDirty Dancingâ to say âYou know, weâve metâ and he knew who I was, but I donât know that he put it together, so, itâs a very small world.
Male: With âDirty Dancingâ wasnât there some casting switch around?
KB: Oh my, yes, oh my, yes. I was hired originally to play that kind of bad lady. If you really look at âDirty Dancingâ, there are two grownup women in âDirty Dancingâ, the mother and that other woman, I canât remember her name. Thatâs what I was hired for, probably because I could dance and I think originally they were going to have maybe a little dance scene between Johnny teaching this bad woman, you know, so it could be kind of a glamorous thing. So, I get off the plane to rehearse. They told me come to rehearsal, youâll have a week of rehearsal, then you go away and come back. I get off the plane, no make-up, my hair is fuzzy out to here, they drive me up the mountain, it takes an hour from Roanoke. I hear on the walkie âWeâd like to have Kelly down on setâ, and Iâm thinking âWhy down on the set, because Iâm here for rehearsalâ, they drive me down to set, itâs at the gazebo, theyâre all dressed and ready to go, Iâm not putting two and two together. Iâm not realizing theyâre camera ready, in costumes, theyâve got the extras. Iâm not putting this together. Iâm just confused. They ask me to stand there and theyâre looking at me, talking about me. Thatâs always such a good feeling. That kind of thing. And all Iâm thinking is âI wish I put some make-up on before I got on the planeâ. Then pretty soon it was âJennifer Grey come stand next to Kelly, Jane Brucker come stand next to Kelly, Jerry come over and stand next to Kellyâ and theyâre all talking, talking, talking. And then they step forward and they say âToday we released the actress playing the wife and weâre wondering if youâd take the roleâ. And it was a 180 degree turn, I mean no two women could have been more different. It was the most bizarre thing anyone has ever said to me. Jerry Orbach was saying in my ear âTake it, take it, itâs the better roleâ. And Iâm thinking to myself âI donât remember this character. I mean, I know she was there, but is she interesting?â And then they said to me âYou get to be in the movie, youâll be in the movie from now until we wrapâ. Iâve never been in a movie from the beginning to the end. I always, you know you come in, you do your stuff and you leave and I thought âThatâs exactly what I wanted to do, be in a film from the beginning to the end. Yeah, okay.â And then they took me up, got my hair done, found me something to wear, pushed me down to the gazebo and we did the merengue.
CC: Thatâs wonderful! Thatâs one of my favorite movies of all the time.
KB: You and a whole bunch of other people. Isnât it amazing?
CC: Itâs like one of those cult films that everyone watches like a 100,000 times.
KB: Thereâs a sweetness in that film and itâs interesting, sort of a segue to Gilmore Girls â¦
CC: Did you meet the writer?
KB: Oh yeah. They were all there.
CC: What was she like?
KB: Oh, sheâs lovely, sheâs lovely and I loved Emile Ardolino, the director, what a good guy. And Kenny Ortega, who was the choreographer, now heâs a director, he choreographed the Olympics, he got an Emmy,
CC: How do you feel that theyâre bringing âDirty Dancingâ to New York?
KB: Iâve heard. Iâm curious about this production. It was big hit in London then I hear it wasnât good but people love it. But I donât know, I donât know. Itâs fine.
CC: Did you ever talk to her and say to her when they bring it to Broadway you want to reprise your role in the Broadway show?
KB: Iâm too old to play Marjorie Houseman.
CC: No you're not.
KB: Marjorie Houseman was just about 40 years old and Iâm just about not.
CC: Okay, well you could pass. Youâre vitamins are working.
KB: My vitamins are great. Iâm a great grandma. Iâm into grandma now. You know those actresses who think they can fool people. Iâm not interested.
CC: Well, you know in the Hairspray movie that they just did with John Travoltaâ¦
KB: But that was a funny, funny. This is reality.
CC: Well, RickiLake was in the audience in the scenes and she played Tracy and was in the gym scenes.
KB: Well, yeah, you can come back in and be somebody else but you know, I mean we do our roles, we do them as well as we can and then we move on and if they happen to be huge hits and memorable roles, we pat ourselves on the back, thank our lucky stars and move on.
CC: Were there any exciting moments in âDirty Dancingâ? I love the leading men in âDirty Dancingâ.
KB: Well, Patrick Swayze.
CC: What was he like?
Male: Howâs he doing withâ¦
KB: I was just reading online today, heâs on that new television series that heâs starring in, God bless him!
Male: What is it called?
KB: Itâs called âThe Beastâ, I believe itâs called âThe Beastâ
CC: Okay.
KB: Heâs been doing chemo, but see, he was a dancer, he was a dancer.
CC: I didnât know he was sick.
KB: Yes, pancreatic cancer. This isâ¦I mean there are cancers and there are cancers but pancreatic cancer isâ¦scary.
CC: I fell in love with him in the movie âDDâ.
KB: Oh yes, heâs a doll. One of the nicest people and so dedicated to what heâs doing, whatever the project is, heâs so committed. Heâs an angel, a terrific guy.
CC: Have you seen âGhostâ? The movie âGhostâ?
KB: Oh yeah, heâs marvellous, just marvellous.
CC: And what was Jennifer Grey like?
KB: She was a little kind of stand away because I think she was nervous because she was starring in the film but sheâs quite funny. I mean Joel Grey is her father so how unfunny could she be? Sheâs very smart. Actually, you know, itâs interesting, when I think about the Houseman family in the film â theyâre all smart. The individual actors, were all intelligent people so that made it easy for us all to get along. I like Jennifer a lot. She has a good sense of humor.
CC: Wanna talk about being Sheila in my favorite show of all time âA Chorus Lineâ?
KB: A Chorus Line?
Male: Or your new show at SecondStage?
KB: I do have a new show. Itâs called âBecky Shawâ. It a new play at Second Stage. I havenât started rehearsal.
CC: Do you dance in it?
KB: Oh no, no, no. I far from dance in it. This woman is not at all capable of dancing. She has an affliction.
CC: Whatâs her affliction?
KB: She has MS. Itâs a five character play, the other four characters are younger, like one generation down from me. Itâs a beautifully written play and I have yet to rehearse it or to even pour over the script, so Iâm just going to just say âBecky Shawâ, keep it in your mind. Iâm not going to say anymore about it. Weâll see how it goes.
CC: You know when it opens?
KB: I believe right after the New Year and then I think it closes mid, late February. So itâs a limited run and weâll see how it goes. But I think itâs well written and Iâm not going to talk about it. Thatâs it. Iâm done. You pulled it out of me. Damn!
Last but not least: das neusest Foto von ihr, Oktober 08.
[Bild: tn-500_img_89791.jpg]
![[Bild: the-marvelous-mrs-maisel-season-one-prem...ery-44.jpg]](https://i2.wp.com/www.socialnews.xyz/wp-content/uploads/2017/11/14/the-marvelous-mrs-maisel-season-one-premiere-Gallery-44.jpg)