[Jamie_Sunshine]

Ich hoffe es auch :heul:

[Riska]

News, news, nes.. wie immer von Fanforum *G* Weiß, fast dasselbe wie am Anfang, aber hab jett keinen Bock die neuen Zeile rauzufuseln

Info taken from Sides in the Shooting Script 1/25/05

The information summarized below is taken from the 5 Sides published on 1/25/05 for Jonesy, Eliza, Frankie, Meter Maid, Customer.

I will include context and stage descriptions where appropriate.

There is a lot of Dialog and Stage Direction blacked out in these Sides.
Characters:
Jonesy - A customer in Luke's diner
Eliza - Maid at the Elder Gilmores
Frankie - A busboy at Weston's Bakery
Meter Maid - Woman - Ticket Writer and All 'Round Public Servant
Customer - A Big, Burly Male customer in Luke's


Editor Note: Scene 7 is picked up in progress. The apparent location is Luke's Diner, time unknown.

Interior - Luke's Diner - Time Unknown - Scene 7 -

Stage Direction: Jonesy calls Lane over.

Lane asks Jonesy if she can help. and Jonesy says that he is sorry to be a pest but that his omlet is soft and he point to something else and says that that is way overdone.

Lane shushes him and tells him not so loud.

Stage Direction: Too late. Luke approaches the table.

Stage Direction: Luke grabs the guy by the shirt, practically pick him up, pushes him towards the door and throws him out. He slams it shut behind him, then spins around to face the other customers.

End of Casting Side for Jonesy

Editor Note: Scene 7 continues for some amount of time



Editor Note: Scene 10 is picked up in progress. It appears to be at the Elder Gilmore's Mansion

Interior Assumed Gilmore Mansion - Time Unknown - Scene 10 -

Emily tells Richard to have her (Rory) open her gift.

Editor Note: There is blacked out dialog here for about 4 lines.

Stage Direction: Richard hands her the gift bag. Rory pulls out a beautiful leather-bound book out.

Rory exclaims, "Oh my God. It's amazing."

Richard tells her it is Leaves of Grass in Greek. A hundred years old. Some beautiful engravings.

Rory remarks that now she will have to learn to read Greek.

Emily tells Rory to feel the leather.

Editor Note: The dialog is blacked out here. But from the pace of the scene it appears to be between Rory and Emily.

Stage Direction: Emily has more than picked up on Rory's attitude. After a beat, Eliza re-enters.

Eliza tells Emily that dinner is served.

Emily thanks Eliza and turn to Rory and tells her that she can flip through that a little later.

Rory tells her, "Okay."

Editor Note: The balance of the dialog on the page is blacked out. Scene 10 appears to continue for some amount.



Editor Note: The Casting Side for Frankie begins with ACT THREE - FADE IN:

Interior Weston's Bakery - Later That Night - Night (Night 3) - Scene 13 -

Stage Direction: Sookie and Lorelai - a portion is blacked out - sit at a tqable, eating dessert in the crowded bakery.

Lorelai is telling Sookie that, "See, now this is perfect."

Sookie responds that it's not a nightclub but its a place you never go to so it's different and exciting.

Lorelai says, "And chocoltely."

Sookie asks Lorelai if she is having fun and Lorelai says that she is not missing the couch a bit.

Stage Direction: As Sookie and Lorelai toast each other with their coffee cups, a busboy, Frankie, crosses by their table with a bin of dishes.

Frankie exclaims as he approaches, "Hey Lorelai!! Wow, twice in one day, huh?"

Stage Direction: Lorelai os caught.

Lorelai says Hi to Frankie and tells him she just had to have some pie, you know.

Stage Direction: As Frankie moves off, Sookie looks at Lorelai.

Lorelai snarks at Sookie that she doesn't have the menu memorized, yet.

Sookie is a statement says to Lorelai, "You come here..."

Lorelai tells her, uh you know just once... a day.

Sookie comes back with. "Unbelievable."

End of Casting Side for Frankie

Editor Note: Scene 13 continues.



Editor Note: Scene 15 is picked up in progress. It apparently has both Lorelai and her father Richard in it. There is a significant portion of the dialog blacked out between Lorelai and Richard

Exterior Assumed in Front Of Luke's Diner - Time Unknown - Scene 15 -

Stage Direction: Angle on Lorelai's POV. A Meter Maid is standing by Luke's boat, which is still in front of the diner. She is writing a ticket.

Editor Note: Lorelai is apparently on the phone. The dialog is marked out.

Stage Direction: Lorelai hangs up and runs up to the Meter Maid.

Lorelai calls out to the Meter Maid, "Hi! Excuse me! Hey!"

Stage Direction: The Meter Maid stops writing and turns to Lorelai.

The Meter Maid asks Lorelai is this your boat?

Lorelai's response is that technically it is, yes.

Editor Note: Lorelai's speech to the Meter Maid is blacked out, but the length of it suggests it is a typical Lorelai Rambling Rant to the Meter Maid.

The Meter Maid tells Lorelai to put some money in the meter.

Lorelai says, "Yes, Ma'am."

Stage Direction: The Meter Maid moves off as Lorelai puts some quarters in the meter and then heads off down the street. As she does we pan over to the window of Luke's, where we see Luke inside taking an order. The balance if the Stage Direction is blacked out.

End of Casting Side for the Meter Maid

End of Scene 15



Editor Note: Scene 16 starts on the remainder of the page, but all is blacked out. On the next page the majority is blacked out until we pick up with Lane. The scene appears to be inside Luke's Diner.

Interior Assumed Luke's Diner - Time Unknown - Scene 16 -

Editor Note: Scene 16 in progress.

Stage Direction: Lane crosses to the front door. A big, burly male customer enters.

The customer asks Lane, "Sit anywhere?"

Lane is a near whisper tells him, "Uh...yeah listen. I will be back in fifteen minutes. Why don't you wait and let me seat you then."

The customer looks at Lane with, "What?"

Lanes tells him to just trust her.

The customer tells Lane to forget it that he is hungry now.

Lane says, "Okay. Anywhere is fine."

Stage Direction: Lane exits.

End of Casting Side for Customer

End of Scene 16



Exterior Luke's Diner - Continuous - Day (Day 4) - Scene 17 -

Stage Direction: Lane come out of the diner and walks towards the bookstore. After a beat the door to Luke's opens, and the burly Customer comes flying out. He hits the ground, stunned. Lane sighs. No one listens. She continues down the street.

Editor Note: Scene 17 contains no dialog. The remaining Stage Direction for scene 17 on this page is blacked out. Scene 18 begins and all descriptions and dialog have been blacked out.


End of Casting Sides for 5.16 - Unnamed.

Riska

[Just]

Naja viel neues gibts da ja dann eh nicht.

[Jamie_Sunshine]

Ich bin gespannt wie es mit Luke und Lorelai weiter geht

[Riska]

Immerhin wissen wir jetzt, dass Rory (Trotz Lorelais Aufkündigung aller Beziehungne zu ihrer Mutter) nach wie vor Kontakt zu ihren Großeltern hat ...

[Jamie_Sunshine]

Warum sollte sie es auch nicht haben, ich meine es gibt halt nur stress
zwischen Lorelai und Emily

[Riska]

Warum sollte sie es auch nicht haben, ich meine es gibt halt nur stress
zwischen Lorelai und Emily

Na ja, immerhin hatte die Sache auch mit ihrem Dad zu tun, außerdem ist die Loyalität zwischen Rory und Lore immens groß. Da die "Sache" für Lorelai so riesig ist, hätte es ja sein können, dass ihre Tochter ebenso denkt...

Riska

[Jamie_Sunshine]

Rory hat sich so in der 5.Staffel sehr verändert

[Miaka]

Rory hat sich so in der 5.Staffel sehr verändert

Das stimmt, und leider hat sie sich nicht unbedingt zum Positiven verändert. Sie ist inzwischen so eine richtige Gilmore, wie Emily sie sich immer gewünscht hat. Da steigt natürlich die Loyalität zu ihren Großeltern...Vor allem, da diese ihr das Studium finanzieren

[Riska]

Das stimmt, und leider hat sie sich nicht unbedingt zum Positiven verändert. Sie ist inzwischen so eine richtige Gilmore, wie Emily sie sich immer gewünscht hat. Da steigt natürlich die Loyalität zu ihren Großeltern...Vor allem, da diese ihr das Studium finanzieren

Ich glaube es geht Rory echt nicht bloß um's Geld für ihr Studium. Sie hat ihre Großeltern wirklich gerne, zumal sie sich ihr gegenüber ja auch ganz anders verhalten als zu Lorelai. Aber ist ja meistens so, dass Großeltern ihren Enkeln gegenüber "nachsichtiger" sind, als ihren Kindern

Riska