[Lore-01]

Neue Häs aus der folge:

EMILY: It's very upsetting. But at some point, you have to face the facts, and the facts are he's moved on, and therefore, I should move on also.
[Lorelai reaches for her drink in salute]
LORELAI: Absolutely. "Moveon-dot-Org."

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LORELAI:[ …]I'm confused 'cause I was going to hit the Orpheum circuit with that material.

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LORELAI: What are you talking about?
RORY: You're engaged to Max, and then suddenly, you're not.
LORELAI: Christopher had nothing to do with Max.
RORY: Who was the person you were calling from your bachelorette party?
LORELAI: I was drunk. I tried to call Abe Vigoda, too, if you remember?

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LORELAI: She was so serious. You know how she gets really serious, like when she saw "The Way We Were," and she couldn't believe that Hubbell was going to leave Katie after she had the baby?
SOOKIE: Oh, I remember. She talked about it for weeks.
LORELAI: "How could he do that? She was the only one who cared about the blacklisting. She was the only one who thought he could write a novel." On and on and on. That's the face she had on today.

JACKSON: I came home from work, and I found these on the doorstep. What the hell is this supposed to mean?
SOOKIE: Hon, maybe it's just a joke.
JACKSON: No, this is not a joke. This is a threat.
LORELAI: Yeah, those people at Butterick Patterns play pretty rough.
JACKSON: This is the fish on the doorstep. It's the horse head in the bed. It's the "either your signature or your brains are going to be on the contract."

LORELAI: This is the second time I told it, and both times, crickets. [ Sighs and takes a sip of coffee ] I mean, Rory and Christopher looked at me like I was Pauly Shore.

LORELAI: Mom? Are you -- [A bunched-up dress flies past her face onto a nearby bed] oh, God! Chanel attack.